To Explore the Spiritual Root in Wild Weald
–A Talk among Guan Yuda, Luo Fei and He Libin
Keywords: Weald Wildness Regression Factors beyond civilization Observation with distance
In the talk, Guan Yuda thought that discussing art in Yunnan can’t go without the nature. Although there was some relationship between He Libin’s painting ‘Weald’ and the natural sceneries, this painting should be put in a even broader contemporary cultural vision, and He Libin is not a scenery painter. In Luo Fei’s view, the first time when modernism regressed to weald, what was got were vanity and desperation. Today if weald is going to be the subject again, either go back to modernism or create the classic for the second time. As far as He Libin is concerned, he thought painting was to solve the ultimate problem of human beings: ‘where to come and where to go’. Going back to the spiritual original weald was exactly the factors beyond civilization, which were more natural, distant and clearer solutions to many problems in today’s city life.
0 Responses to “To Explore the Spiritual Root in Wild Weald”