游牧札记 – 从西藏到印度
THE NOMADIC NOTES — FROM TIBET TO INDIA
艺术家 ｜刘辉Artist Liu Hui
策展人 ｜ 高翔Curator Gao Xiang
观察员 ｜ 罗菲Observer Luo Fei
开幕式 ｜ 2020.10.23 20:00Date of opening 2020.10.23 20:00
展览时间 ｜ 2020.10.23 — 11.30Duration of exhibition 2020.10.23 — 11.30
展览地点 ｜昆明市西山区润城第二大道商1栋3层TCG诺地卡国际艺术中心Address F.3 -B.1 the Second Avenue of Rain TownKunming TCG Nordica International Arts Center
媒体支持 ｜ 雅昌艺术网 文旅头条 大观周刊 云南就爱去旅游文化传媒有限公司
现实与梦境的轮回The Circle of Dreams and Reality
刘辉出生并成长于玉溪澄江县城，那是一个宁静而神秘的高原湖畔之地。他于2015年本科毕业之后，曾从昆明骑自行车，载满路途所需要的行李和锅碗，一个人花一个月时间蹬到西藏拉萨…后在西藏昌都丁青县支教一年，2016年9月才骑行回滇；2017、2018和2019又赴泸沽湖、老挝朗勃拉邦，印度艺术考察与创作，在几次艺术游牧中，他以手绘扎记的形式描绘沿途的日常物象，在一本本的手工纸本上，勾线、着墨、染色、书写当地的文字…记录旅途当中内心所闪现的灵感、悲伤、孤独、宁静与兴奋的刹那感受。
Liu Hui was born and grew up in Chengjiang County in Yuxi Prefecture, Yunnan, at the shore of a lake on a peaceful and mysterious plateau. After he graduated in 2015, he loaded his bike with everithing he needed, and bicyced from Kunming to Lhasa… He stayed for a year as a volunteer teacher in Dengqen County, Chamdo Prefecture, before he bicycled back in September 2016. In 2017, 2018 and 2019 he visited Lugu lake at the border of Yunnan and Sichuan, Luang Prabang in Laos and several places in India, where he did artists exploration and creation. In these artistic wanderings, he sketched all the images he saw. Drawing lines, aplying ink to paper, adding colours and writing the native letters. In these ways he captured the moments of inspiration, pain, loneliness, peacefulness, exitement on his journeys.
刘辉的作品形态几乎涵盖了当代艺术所有的领域，画布、纸质和扎记的绘画、装置作品、行为艺术和影像作品等等。这些作品多以“游牧”经历的地方作为灵感源泉，无论何种艺术媒材，其作品表现性语言明确，面貌独特，构思巧妙新奇，充满了想象与梦境，具有强烈的视觉与心灵冲击力。以《泸沽湖·札记》为例，其画中山与星座人像的造型古朴单纯而具概括性，笔触坚实肯定，色彩以黑白为基调，只在天空的人像之中兼有少许红色与黄色；作者能够很好的把握住描绘的准确与书写中自然形成的偶然效果，绘画性极强，给我们展现出一个庄重而灿烂的夜空。他一系列的作品都表达了对这几个地区神秘、质朴原始文化与生活的真切感受。
The shapes of Liu Hui’s work are numerous and covers all the forms of contemporary art: Painting on canvas and paper, installation art, performance art, video works, etc. All these works take the soul of the places he visited on his journey as their source material. In all the different medias of art used the expressive language is clear, the appearance unique, the conception ingenious and novel, filled imagination and dreams, and possesing a strong visual and spiritual impact. Taking “Notes from Lugu Lake” as an example, the painted mountain and the constellation of faces in the sky epitomize an ancient and rustic pureness. The brush strokes are firm and self-assured, the colours use black and white as their basis, and only the faces in the sky have a little red and yellow. The creator masters a precision in this depiction of astately and magnificent night sky. This series of works all conveys the mysteriousness of the place, and the primeval character of the culture and life of is sharply felt.
中国近现代美术的先驱吴大羽先生曾说：“艺术的根本在于道义”。刘辉将他描绘的目光，聚焦于世界文化艺术中心之外的那些国家与地域，尤其是偏远地区的物与人，在非中心主义美术的个体践行中，不仅消减了远方与自己内心的距离，尤为可贵的是在作品中呈现出具有异样审美和对边缘物象的同情。
The pioneer of modern Chinese fine art, Mr. Wu Dayu said: “Morality is the basis of art”. Liu Hui’s vision is focused on the cultural art heartlands of the world, especially the things and people of “remote” areas. In the individual’s journey towards a decentralized art, not only is the distance between the heart and places far away reduced, but even more precious is the appearance in the artwork, of a sympathy towards different aesthetics and peripheral phenomena.
当刘辉面对现实生活时，我看到他超越同龄人的韧劲、通达与意志，而在其艺术作品中，我又看到其超越现实的想象、激情与梦境，或许他已在平衡现实与远方梦境的轮回中，获得了内心的力量与平静。
When Liu Hui faces reality, I perceive a perseverance on his part, that surpasses that of most people his age. He is full of understanding and idealism, and in his art, I see an imagination that goes beyond reality, passionate yet dreamlike. Perhaps he is already in the balanced circle between reality and far away dreamlands and has achieved strength and peace in the heart.
衷心预祝刘辉个展成功！
I wish all the best for the succes of Liu Hui’s exhibition.
高翔中央美术学院油画系专业博士云南艺术学院教授
Gao XiangDoctor at the Department for Oil Painting at the Central Academy of Fine ArtsProfessor at Yunnan Arts University
