米丽安·托马森（Mirjam Raen Thomassen）
米丽安是来自挪威阿伦达尔的视觉艺术家，2013年毕业于卑尔根大学艺术学院，获艺术硕士学位。她曾在Sørlandets美术馆、Artendal/Bomuldsfabriken、 Kunstgarasjen 和挪威的 Arteriet 等艺术空间，英格兰、苏格兰、立陶宛、泰国和斯洛伐克等地举办过展览。
（图为米丽安的作品）
米丽安以光线为艺术实践的核心，运用装置、绘画、摄影、实物和特定场域艺术进行创作，将形式美学与城市空间和自然界相结合，研究可见与不可见、地点与非地点之间的转化。她的艺术作品有着对诗意的真诚渴望，强调细腻的情感和简洁的表达。在感性的有形和无形中，她的作品与观众的感知相遇。
（图为开幕式现场音乐人寒鹰即兴演奏）
（图为开幕式现场）
2018年4月4日至4月24日，米丽安将进驻TCG诺地卡文化中心。在这里，她将与昆明的艺术家交流分享、进行创作与研究、并举办展览。在此特别鸣谢挪威王国驻华大使馆对本次活动的支持。
（图为开幕式现场艺术总监罗菲、艺术家米丽安、挪威驻华使馆文化新闻处主管龙莉莎发言）
本次展览的主题为《灵光乍现》（“Moving Light”）。于2018年4月13日晚19:30在TCG诺地卡开幕，并进行艺术家交流分享。展期为2018年4月13日至4月22日。
在展览《灵光乍现》中， 米丽安主要关注光线的变化。通过摄影，将光线照射到的不同区域显现出来，把不可捉摸的光线在某种意义上变为永恒。一系列的摄影作品就在挪威当地的光线下被创作出来了。这些作品可以看作是特定时空的碎片。光线从此处到彼处，从卑尔根和克里斯蒂安桑到昆明，完成了一种转移。年均日照时间超过2400小时的昆明，接受着与卑尔根和克里斯蒂安桑截然不同的光线。
这一系列画作是用照片、胶水和反光的玻璃粉在画布上创作的。这些画布质地较薄、半透明、两面都可用。照片上的油墨在胶水的作用下渗透进画布，呈现出新的画面和色彩。反光的玻璃粉能够将光线反射回光源的方向，因而丰富了作品的内涵。这些作品是在挪威完成的，但在画廊空间内，本次展览也会受昆明自然光的影响。因此，不同的光线之间将展开对话。
本次展览的目的在于用诗意的方式，站在有关存在的角度上，追问永恒和无形。
相对于我们的存在，太阳是永恒的，阳光是无形的。光线照射到的区域在永恒的运动中成为可见的，但又会消失。这些被光线照射的区域可以解读为短暂显现的空间——不可捉摸又真实可感。
Mirjam Raen Thomassen个人简历
EDUCATION
2010 – 2013 Academy of Art at the University in Bergen, MA Fine art, Norway
2007 – 2010 Academy of Art at the University in Bergen, BA Applied art, Norway
2009 Glasgow School of Art, exchange studies dep. Sculpture and Environmental Art, Scotland
2005 – 2007 Einar Granum School of Art, Oslo, Norway
SOLO/DUO EXHIBITIONS
2018 Moving Light. TCG Nordica, Kunming, China
2018 Lyskomposisjoner 58°7’22.1″N 7°58’13.2″E +X. Arteriet, Kristiansand, Norway
2017 Lyskomposisjoner, Kunstgarasjen, Bergen, Norway
2016 Konstruksjoner, duo exh. with Martin Woll Godal. Visningsrommet USF, Bergen, Norway
2011 Tøys. Galleri Fisk, Bergen, Norway
GROUP EXHIBITIONS (selected)
2017 Hatch 10 years. X-huset, Kristiansand, Norway
2016 Alone. Touring exhibition, Galleri Lista Fyr, Sør-Troms Museum/Norway, Bratislava/Slovakia
2015 Anniversary Exhibition 2015 – SKMU 20 years. Sørlandets Kunstmuseum, Kristiansand, Norway
2014 art:language:location, in collaboration with Marit T. Dyre. Cambridge, England
2014 Sparebanken Sør Artist Prize 2014. SKMU Sørlandets Kunstmuseum, Kristiansand, Norway
2014 Kunstvisitten. Touring exhibition, Akershus Kunstsenter, several health/welfare institutions, Norway
2013 art:language:location. Cambridge, England
2013 Pop Up exhibition, Odds. Frantz:Navle, Bergen, Norway
2013 Hatch 2013. ARTendal, Bomuldsfabriken Kunsthall, Arendal, Norway
2013 Knock Knock 2013. The Association of Norwegian Sculptors, Oslo, Norway
2013 Stipendutstillingen 2013, Agder Centre of Arts, Kristiansand, Norway
2013 Masterutstillingen 2013. Bergen Kunsthall, Bergen, Norway
2013 Wireless. Touring exhibition, The Norwegian Association for Arts and Crafts, Norway
2012 Odds. Norwegian Museum Of Hydro Power and Industry, Odda, Norway
2012 Between the Four. F – Block Gallery, UWE, Bristol, England
2011 17 m.o.h. Bergen Kjøtt, Bergen, Norway
2010 Hatch. Agder Centre of Art, Kristiansand, Norway
2010 Spes. Bachelor-exhibition at Bergen National Academy of the Arts, Norway
2009 Raw Meat – Cut The Chiffon. GCF Gallery, Glasgow, Scotland
2009 Velkomen til heimen vår. Østre Skotredet 8, Bergen, Norway
2009 In the Making. Gallery of Art and Design, Silpakorn, Thailand
2007 Young Examination. Kaunas Art Biennial, Lithuania
PROJECTS | PERFORMANCE
2016 Fysiske spor, in collaboration with Marit T. Dyre. Landås bibliotek, Bergen, Norway
2016 Hardbakka Ruins Project: Memento Mori. Bergen, Norway
2013 Wind Ensemble, performance group. Prøverommet, Landmark, Bergen, Norway
2011 Tøys. PrøveRommet, Teatergarasjen, Bergen, Norway
2009 – 2011 Pusterom, group collaboration. Nordnesparken/Bergen, Lakseneset/Askøy, Norway
2008 Beats, collaboration group. Light camp, Frederikshavn, Denmark
2007 The Machine Is Truly Silent, performance group. BIT Teatergarasjen, Bergen, Norway
CATALOGUE | REVIEWS | PUBLICATIONS (selected)
2015 Anniversary Exhibition 2015, ISBN: 978-82-994332-9-7, s. 66-67, 109
2014 Nominert til Sparebanken Sør Kunstnerpris, Billedkunst no. 2, s. 5
2013 Odds – the text compilation, ISBN: 978-82-303-2402-8, s. 21, 154-155
2013 Ta en tråd og la den vandre, Tønsbergs Blad April 19th
2013 Tekstil blomstring, Tønsbergs Blad, s. 5, April 23rd
2013 Vil at du skal stoppe opp, Agderposten, s. 50-51, September 6th
2013 Fra polygonporselen til arvesølv, Fædrelandsvennen, s. 12, September 9th
2011 Som liljene på marken – om å leve enklere, Barbro Raen Thomassen, ISBN: 978-82-494-0095-9, s. 205, 208 – 209
2009 Kunst med tyngde, Studvest, August 19th
2008 Nordlys til Frederikshavn, Nordjyske avis, October 15th
2007 Tekstilinis pareiskimas, Literetura ir menas, December 4th
FUNDING | STIPEND
2018 Kristiansand Municipality | project funding
2017 Areopagos | travel funding
2017 Bergen Municipality | project funding
2016 Arts Council Norway | project funding
2014 Bergen Municipality, international support | project funding
2010 Bergen National Academy of the Arts | project funding
2007 Bergen National Academy of the Arts | travel funding
